Baloji

The over-sized Kitoko frame is inspired by 80s hip-hop styling and above all, by the glasses worn by Baudouin I, the Belgian king (1951-1993), nicknamed “Mwana Kitoko”, meaning ‘beautiful white man’, or ‘handsome young man’ in Lingala. Baudoin influenced the European inspired, middle class stylistic movements of the 1960s, which helped shape the tradition of Congolese elegance.

Pierre Mandjeku “Dizzy” is a legendary Congolese guitarist. He has mastered the Congolese musical revolutions over the past five decades and during recent years he has joined Baloji on stage. To Baloji, Dizzy is more than a band member; he is a role model, a surrogate father, and undeniably the most elegant musician ever.

The Dizzy frame is a true artist’s style to be worn on stage, yet the small details make these sunglasses classy and elegant.

With hypnotic trance rhythms, Tshala Muana’s music finds its natural extension in a secular dance: the Mutuashi. Tshala was a pioneer in an era where most women in music were little more than arm candy or dancers. Her apparently frivolous music and provocative choreography tackles big questions: the role of women and their right to pleasure in African society. She inspired Baloji to develop this libertine style with feminine gold rims: more than sunglasses; they are a statement.

Tshala Muana also known as the Congolese Donna Summer, a living legend.

Mujinga is a tribute to Baloji’s mother. It was thanks to her big, almond-shaped eyes that he recognized her amidst the crowds in Lubumbashi market when they met for the first time after 25 years, a reunion that inspired this “Cat’s Eye” shape. Gold emphasizes the eyebrows, creating a distraction and the gold teardrops are like a tattoo, a permanent reminder of the melancholy that inhabits these women.